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COSMIC VIBRATIONS MUSIC FESTIVAL
YOUR DESTINATION
SINGLE DAY MUSIC FESTIVAL
11 HOURS OF LIVE MUSIC
SAT OCTOBER 29TH
12 PM-11 PM
(: TICKETS FOR SALE NOW :)
sat october 29th 12Pm-11pm
Still Corners
THE LAST EXIT is the fifth studio album from Still Corners, which will be released on 22nd January 2021 on Wrecking Light Records. With the shimmering desert noir sound the band has become known for, THE LAST EXIT takes you on a hypnotic journey, one filled with dilapidated towns, mysterious shapes on the horizon, and long trips that blur the line between what’s there and not there. Greg says, “We found something out there in the desert – something in the vast landscapes that went on forever." THE LAST EXIT consists of eleven beautifully crafted songs with organic instrumentation, cl-toned guitar, spacious drums and the smoky croon of Tessa Murray. Album highlights include “The Last Exit”, “White Sands” and “Shifting Dunes” all of which evoke the vast space of the desert and rolling unconcerned skies. The album was brought further into focus by the pandemic when almost everything was forced to stop. Tessa explains, “There's always something at the end of the road and for us it was this album. Our plans were put on hold – an album set for release, tours, video shoots, travel. We’d been touring nonstop for years, but we were forced to pause everything. We thought the album was finished but with the crisis found new inspiration and started writing again.” It was in this context that songs like ‘Crying’, ‘Static”, ‘Till We Meet Again’ were written, reflecting on the impact of isolation and the need for social contact and intimacy. First single, ‘The Last Exit’ is the final chapter of the Still Corners’ Road Trilogy. What began with ‘The Trip’ and was followed by ‘The Message’ concludes with the stunning ‘The Last Exit’. The video, inspired by the 1975 film Picnic at Hanging Rock, finds Tessa pulled into the mysterious rocks of Joshua Tree. Tessa explains - "In a world where everyone thinks all the corners of the map are filled in we like to suggest there's something beyond that, something eternal in the landscape and in our psyche. Maybe you don't see it every day but it's there and that's what we are trying to connect to." With a galloping beat, teardrop vocals and silver-tone guitar, The Last Exit races down a lonely highway to destination unknown. Elegant and searching with a grand piano ending, The Last Exit will remind you of another world beyond the one you see.
STRANGE WEATHER
Strange Weather is the experimental-pop project of singer/songwriter/multi-instrumentalist Sean Brennan. In their bones, the songs are timeless classics, embodied as romantic psychedelia – cinematic daydreams with echoes of Talking Heads, Pink Floyd, and Esquivel. Born outside Baltimore, Brennan began composing for chamber ensembles in his teens. After studying poetry at college, he began working at a studio in his hometown, producing music for television, radio, and theatre. In 2011, he relocated to Brooklyn where he currently lives with his wife. Brennan has been diagnosed with a rare genetic eye disease called Choroideremia, and he is gradually going blind. After a few years of accelerated vision loss, in summer 2014 Brennan moved to the beach near Assateague Island, Maryland, where he built a studio and began work on a full-length album, Suspending Disbelief. The first single, “Coaccidents”, was released in May 2019, and won First Prize in the Great American Songwriting Contest. In 2017, “Little Bit of Light” was used by GEICO in their Motorcycle campaign. Strange Weather has expanded into a rotating cast of characters that includes Callie Brennan, Davis Rowan, Paul Peglar, Sarah Mount, Matt Tobin, Slark Moan, Dan Drohan, Meia Noite, Yula Beeri, Isaac Gardner, and Avram Fefer.
TIMOTHY EERIE
Psych pop with deep grooves & endless ego deaths.
“It’s no accident that the name Timothy Eerie is so close to Timothy Leary, this is the aural equivalent of two tabs and a trip down the rabbit hole.” Pure Honey Magazine
AIRPARK
Formed in 2017 by brothers Ben Ford and Michael Ford, Jr., Airpark is a Nashville-based duo whose songs explore the wide expanse of forward-thinking pop music. It's a sound that's both timely and timeless, rooted in sharp grooves one minute and dreamily rounded edges the next. Over the course of four EPs, the Fords have created music that's honest and ever-evolving, glued together by nuanced arrangements, an attention to melody, and the refusal to make the same record twice. On the precipice of the release of their debut album, Prehistoric Feeling - featuring production from Tennis, St. Lucia, and Eric Cannata (Young TheGiant) - Ben and Michael double down on their unique brand of pop. Tracked in Highland Park, Los Angeles - the Fords created an effortless and joyous work that, with the passing of time, will take listeners back to the exact place they were when they first heard it. Appearances from EricCannata (Young The Giant), Jean-Philip Grobler (St. Lucia) and Jessie Baylin provide inimitable flourishes to the eleven song debut. Prehistoric Feeling is available everywhere 9/16/22.
TWAIN
"Hello ,
I'm mat and I make the twain music. Twain is just a name for an inner location that I am fascinated by. I think it's a place we all have in common. there are endless ways to try to describe it and twain is just my attempt. I love the feeling of the destination that evolves out of making records and playing shows. It's cumulative.
Outside of the twain, I've had the pleasure of contributing to records and performances by other artists, including - Big Thief, Courtney Marie Andrews, Buck Meek, Langhorne Slim, Spirit Family Reunion, the Deslondes, Westerman, Michael Nau, Low Anthem, the Killers and other sweet souls"
ANDREW GOLDRING
A restless musical explorer, Andrew Goldring’s fascination with the recording process borders on obsession. The Nashville based songwriter, producer & multi-instrumentalist has spent thousands of hours working behind a studio desk.
His 2019 release Fluorescent Memories was born from many collaborative sessions with friends. Letting go of any pre-conceived notions from his long history of past projects, he set out to create an album for listeners to get lost in from front to back.
Enlisting the help of California based producer Jon O'Brien to guide the creative process, he crafted his own brand of americana flavored indie rock, compounding emotional storytelling with an immersive soundscape.
JOHN ANDREWS & THE YAWNS
John Andrews plays drums in Quilt, keyboards in Woods, and is also a regular member in Hand Habits and Cut Worms, among other groups. But he's also a songwriter and records his own folky pop rock under the auspices of John Andrews & The Yawns, which is mostly just him but also his friends. The third Yawns album, Cookbook, is set to be released May 14 via Woodsist. He's just released a lovely new song from the record, "River of Doubt," a song about lying awake with your thoughts, set to a a jazzy beat and delicately plucked guitars. The video, which John directed, mixes snapshots from work and play with some excellent hand-drawn animation. Check that out, along with a "show poster" for the single (in lieu of making them for shows), below.
On a record like Cookbook, there are a lot of sonic ingredients involved and we asked John to give us the recipe. He came back to us with a list of 10 inspirations for the album, which include everything from Fats Domino and Vince Guaraldi to Joni Mitchell and The Shangri-Las, skateboarders, and yes, his kitchen. You can check out John's list, including insightful and witty commentary, below.
JOHN VANDERSLICE
Over the course of his extensive career as an influential songwriter, record producer, and studio owner, John Vanderslice has carved out a singular place for himself in the landscape of American indie rock. Raised in rural North Florida, Vanderslice was forced into piano lessons as a young child, and eventually picked up the guitar and started writing songs as a teen. His relationship to songwriting transformed at fourteen when he was given a Tascam 424 tape recorder—the process of using the tape deck as an instrument was a revelation for him, and he began to channel his early influences (Led Zeppelin, the Kinks, David Bowie) into freewheeling, intuitive explorations of song. After moving to San Francisco in 1989, Vanderslice made three records as a part of the experimental band MK Ultra, including the critically-acclaimed The Dream is Over. His obsession with recording craft persisted: while working as a waiter at Chez Panisse in 1997, he opened Tiny Telephone Recording as an affordable outlet for the Bay Area’s indie rock community. Tiny Telephone has since developed into a laboratory for some of the most inventive recordings of the genre, including the prolific output of Vanderslice’s own solo projects. Between 2000 and 2014, JV released 10 records on Barsuk, Dead Oceans, and Secretly Canadian, and collaborated as a producer and musician on records by Spoon, the Mountain Goats, Okkervil River, Death Cab for Cutie and Tune-Yards. He toured tirelessly across the US and Europe, playing over 1000 shows and headlining tours with Sufjan Stevens and St. Vincent. After the tour cycle for 2013’s double release of his solo album Dagger Beach and his Bowie re-imagination Vanderslice Plays Diamond Dogs, Vanderslice took an extended break from his solo career in order to build an ambitious new Tiny Telephone studio in Oakland, and to take on record producing as a full-time job. Since that time he has produced over 70 records by artists such as Grandaddy, Samantha Crain, Into It. Over It., Teen Daze, Cherry Glazerr, Sophie Hunger, Frog Eyes, Bombadil, and Strand of Oaks. In April 2018, Vanderslice decided to leap back into his solo career with full force, hunkering down for over 50 days with Telephone engineer/producers James Riotto and Rob Shelton in a process that yielded The Cedars—Vanderslice’s most ambitious record to date. The album’s name is taken from an 11 square mile serpentine canyon that exists in the remote wilderness of West Sonoma county, 90 minutes north of San Francisco, where Vanderslice owns a small portion of communal land nearby. The Cedars is filled with one-of-a-kind geological phenomena: Mars-like red slopes, bizarre mineralized rock formations, and high-alkaline springs that have fostered over 8 different plant species found nowhere else in the world. Vanderslice developed an obsession with this area not only because of its mysterious beauty, but also because it’s almost impossible for anyone to get there due to natural barriers and the surrounding private land ownership. This obsession with finding the impossible was channelled into his new record: The Cedars (out on Native Cat Recordings spring 2019) approaches the craft of songwriting from every direction but the front, in a non-linear process driven by drum machines, synthesizers, and an unpredictable palette of sonic textures. In an act of getting both figuratively and literally lost in the woods, Vanderslice finds himself favoring chaos and deconstruction over well-worn paths of familiar sounds and instrumentation for his new album—and the results have landed him in a place that’s uncharted, under the spell of a myth.
JD PINKUS
JD Pinkus is an American bassist best known for his work with American punk band Butthole Surfers from1985 to 1994 and since the 2009 reunion. In 1990, he and Butthole Surfers' lead vocalist Gibby Haynes released Digital Dump, the only album from their psychedelic house music side project The Jackofficers. Upon leaving Butthole Surfers, Pinkus worked full-time with the Austin trio Daddy Longhead, which he had assembled during his waning months in the band, and which included longtime Atlanta associate Jimbo Young on guitar and Rey Washam on drums. Daddy Longhead retired after 10 years, leaving Pinkus free to explore other projects including Skinny Leonard and Areola 51. Pinkus played with Helios Creed on his albums NUGG: The Transport [1996] and Activated Condition [1998], and has also collaborated with Bad Livers frontman Danny Barnes several times in a live setting. JD Pinkus then co-founded the band Honky who went on to record five albums and are still currently active. Pinkus also performs with Pure Luck,who released a self-titled release in 2017 on Heavy Feather Records. He leaves his bass to play Banjo and Guitar in this project. On their 30th anniversary tour in 2013, Pinkus joined the Melvins in place of Jared Warren (on paternity leave) as well as performing with the opening Honky. He subsequently joined the Melvins full-time, touring with them in 2014 in support of the album Hold It In, which also featured Butthole Surfers founder Paul Leary, and again in 2015. He also plays on the song Captain Come Down which was first released in 2015 on Chaos as Usual, a split release with Le Butcherettes, and later included on the 2016 album Basses Loaded. In 2018, JD Pinkus released a solo album, Keep on the Grass on cassette tape on Danny Barnes Minner Bucket Records and later Vinyl and Compact Disc through Heavy Feather Records. It was recorded entirely on banjo and features a rendition of the song Bride of Crankenstein from the Melvins album Hold It In. The Keepon the Grass album release show was with Sleep in San Pedro on September 15th 2018. On February 12, 2018, the Melvins announced that Pinkus would be joining them, alongside current bassist Steven McDonald (Redd Kross), on their next album and subsequent tour. Released on April 20, 2018, the aptly titled Pinkus Abortion Technician features both bass players and four songs written or co-written by Pinkus. In May of 2021 JD Pinkus and Daddy Longhead released another album titled ‘Twinkle” which was originally recorded but not distributed in 1998. JD Pinkus is now releasing his second solo “space grass” banjo album titled “Fungus Shui.” The album was written, recorded, and mixed by Pinkus himself at Plastic Cannon Studio in Asheville, North Carolina. The album was mastered by Kramer. Fungus Shui LP's are being released on Shimmy Disc and CD's available through Heavy Feather Records on August 20th 2021.
TENDER MERCY
“Nocturnal reveries in the vein of minimal Radiohead compositions. Mark Kramer (Tender Mercy) has cultivated a distinctive singer/songwriter style, a black, evocative character, preferring the shadows to the light. His voice haunts the spare guitar notes like an utter specter. Songs like these play over the end credits of drama films that have faded to black following some sort of traumatic event. “ - Cassette Gods
CHAT HOLLEY
Every band takes a different road to get where they are,
theirs was Chat Holley Road in Santa Rosa Beach. The founding members of psychedelic rock band Chat Holley are Zack Sloan (vocals/guitar), and Levi Ward (percussion). They have melded their love for music since highschool. Working at a local restaurant is where they met their founding bassist (Shane Huron). After some singles (Women Like Wine) and an EP (Homegrown), the original bass player decided to move on.
After taking a year to recover and discover their reality, Parker Watson (bass guitar/vocals) fell into the band as if it were destiny and Chat Holley was reborn again with a chemistry like never before.
special guest host
RODNEY NORMAN
Honest and unassuming, his humor will catch you off guard and leave you laughing days later. Rodney Norman is more than an entertainer, he is an experience. His insights are sometimes profound, sometimes absurd, but always hilarious. He’s the philosopher you didn’t know you needed, and he’s here to help. If you have caught some of Rodney’s life lessons on Facebook or Tik Tok, you know that he can take the most complex of problems and make them seem solvable. He’s got a handle on what matters, and what doesn’t, and he’ll give you a completely new perspective. Catch his show to see why people worldwide have declared him the honorary family member they wish they’d always had.
HAVE A SUPER AWESOME DAY!
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COSMIC VIBRATIONS VENUE SWAP
Escape and enjoy good vibes at this one-of-a-kind otherworldly musical experience! Visiting Lucille's Music Hall in Miramar Beach FL on Saturday October 29th 2022 starting at 12:00PM-11:00PM